Ideology and Femininity in Jane Eyre, Wuthering Heights, and The Tenant of Wildfell Hall
| dc.contributor.advisor | Moffitt, Jennifer Leigh | |
| dc.contributor.author | Bliss, Sarah | |
| dc.date.accessioned | 2021-05-06T23:36:23Z | |
| dc.date.available | 2021-05-06T23:36:23Z | |
| dc.date.issued | 2021-05 | |
| dc.description | Honors Thesis Spring 2021 | en_US |
| dc.description.abstract | Between 1847 and 1848, the literary market of Victorian England convulsed under the influence of two novels from previously unknown authors: Currer Bell’s Jane Eyre and Ellis Bell’s Wuthering Heights. Known to a slightly smaller number was a novel by a third Bell: The Tenant of Wildfell Hall, by Acton Bell. Despite the authors’ relative obscurity, these novels quickly drew popular attention—and incited controversy | en_US |
| dc.identifier.uri | http://hdl.handle.net/11416/547 | |
| dc.publisher | Florida Southern College | en_US |
| dc.subject | Femininity | |
| dc.subject | Femininity in literature | |
| dc.subject | Ideology in literature | |
| dc.title | Ideology and Femininity in Jane Eyre, Wuthering Heights, and The Tenant of Wildfell Hall | en_US |
| dc.type | Thesis | en_US |