Ideology and Femininity in Jane Eyre, Wuthering Heights, and The Tenant of Wildfell Hall

dc.contributor.advisorMoffitt, Jennifer Leigh
dc.contributor.authorBliss, Sarah
dc.date.accessioned2021-05-06T23:36:23Z
dc.date.available2021-05-06T23:36:23Z
dc.date.issued2021-05
dc.descriptionHonors Thesis Spring 2021en_US
dc.description.abstractBetween 1847 and 1848, the literary market of Victorian England convulsed under the influence of two novels from previously unknown authors: Currer Bell’s Jane Eyre and Ellis Bell’s Wuthering Heights. Known to a slightly smaller number was a novel by a third Bell: The Tenant of Wildfell Hall, by Acton Bell. Despite the authors’ relative obscurity, these novels quickly drew popular attention—and incited controversyen_US
dc.identifier.urihttp://hdl.handle.net/11416/547
dc.publisherFlorida Southern Collegeen_US
dc.subjectFemininity
dc.subjectFemininity in literature
dc.subjectIdeology in literature
dc.titleIdeology and Femininity in Jane Eyre, Wuthering Heights, and The Tenant of Wildfell Hallen_US
dc.typeThesisen_US

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